Thursday, July 22, 2010

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Festival 2010, events ..


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Monday, July 19, 2010

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anthropological paradigm

From COSMO, BODY, CULTURE Encyclopedia anthropological you can extract some basic concepts for the study of anthropology, which adapt to the analysis of tables considered interactive multimedia. The

hand the visitor with its movement and gesture with ( paradigms Body ) takes a ' action on a editing a physical object ' image and triggering a process of writing (projected) on the table.

The installation uses the properties of New media and allows the ' learning takes place through a' physical experience that promotes the persistence of memory ( paradigms Media and training).





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Metaphors of what


What can penalize or enhancement of the human intervention in the systems is not the artifact computer itself, but the design philosophy from which it springs.
(Schanck 1984)

In conform ity with the poetry of Studio Azzurro, even the media tables are based on the paradigm of Natural Interaction , Which base their operation on a daily gestures involving the manipulation of physical or ns subject to review information in digital multimedia .


The visitor chooses from some containers playing a cover of one of the albums of De Andrè and places it on the table.
The cover is recognized by the system and start the corresponding video content that develop the concept of the disc provide an indication of the historical period, shows interviews with employees through projection on the table.

L ' physical object is used to activate the flow of information that materializes on the same surface on which they move their hands user el ' TUI .

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The contexts of the thing ..


L ' installation was included (in triplicate) of the exhibition in the second environment, the Hall of Music, among other elements, such as sheet music and original texts on the walls of the room.
The album covers tagged with RFID to enable the projections on the three tables were arranged in piles in several places in the room.


Being a ' to install a temporary traveling exhibition , it is "pop" in several places:

GENOA - Palazzo Ducale (31 Dec 2008 - June 21, 2009)

NUORO - Museum of Man (16 lug 2009 to 10 Jan 2010)

Rome - Ara Pacis Museum (24 Feb 2009 - May 30, 2010)

PALERMO - Former Locomotive Depot Sant'Erasmo (25 Jun 2010 - 10 October 2010)

Back The story of a something

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This summary is not available. Please click here to view the post.

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What documents do I



The what I intend to analyze is an installation created by Studio Azzurro , inserted in the Music Room exposure

FABRIZIO DE ANDRE '- THE EXHIBITION

designed by Studio Azzurro and edited by Vittorio Bo, Guido Harari, Vincenzo Mollica and Morgia.

The installation is presented as the page dedicated to the room:

"A series of small panels, depicting the covers of major studio albums can be selected and positioned tables on special media, triggering a series of projections. The visitor can then "meet" Fabrizio, his friends and colleagues, the critic Richard Bertoncelli that with their contributions, framing the historical period and social climate in which the record was produced, the mechanisms of writing and recording, etc. All contributions supplemented by videos from concerts and television appearances.


Back to the story of a thing

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The exhibition website is the source of many photographs and drawings illustrating how the installation of projected video and screenshots.

Among documents available to anyone interested in the thing in question is then the exhibition catalog, published by Silvana Editoriale .

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images of what



These are some photos of the installation as well as can be seen in the exhibition.

Thursday, July 15, 2010

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New models of the museum ..



Which models of the museum will prevail in the coming years?


Here I collect thoughts on this issue and beginning to indicate some directions ..

the museum
wandering the museum and show
the local museum
... from the blog 's ICOM edited by Alessandra Mottola Molfino .

still reports the article The new identity of the museum space anthropocentric
where, inter alia, through the various stages of evolution of the museum institute:
the museum-temple
the museum laboratory
the virtual museum

The type of museum on which to focus my research could be defined from the intersection of MUSEUM WORKSHOP (where visitors are encouraged to take the experiences that contribute to enrich their knowledge) with the MUSEUM SHOW (information and entertainment, reality and fantasy).

Here we talk about interactive museums :
http://www.touchwindow.it/it/soluzioni/musei-interattivi.html
http://www.ugis.it/a220707-mstmi1.html

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a visit to the PAV



If you recommend a visit to Turin PAV (the glossary can be a useful support), which hosts a series of interactive installations curated by Piero Gilardi .

Some reflections on the work of this artist are present in relational and interactive art by Piero Gilardi and slides of Silvana Vassallo, with more didactic approach.

Friday, July 9, 2010

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Subject



What role do the 'object and culture material in the museum today, in a context where technology (especially the digitization ) operates under the direction of a massive de-materialization heritage?

To explore this topic point out two readings (and I look forward suggestions on other sources ..):

Learning from things: material culture in museums

technology as a communication system for museums intangible

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If an object " obscene" under the interactive museum exhibits can be represented by a video clip exceeded in terms of language and quality performance (old, not historic or ancient), the ' OBSOLESCENCE is the true object of repression.

To save obsolete objects of contemporary , was initiated the project "The history memory" , a virtual museum that collects items "exhaustion".

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Books



Some books deserve a place in my library ..

Arts between action and contemplation

Communicate in the museum

The digital media arts

Multimedia

Studio Azzurro

And these are yet to come ..

- Content Provider
- E-culture
- Peach

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Body driven interactive space



For Flavia Sparacino, application of the paradigm of 'staging Ubiquitous Computing leads to an interactive space museum choreographed in real time by the movements of visitors (for more details see the paper on a show curated by the researcher). These spaces

sono altrimenti chiamati responsive media spaces e dipendono dalla co-presenza delle persone (per questo gli ambienti sensibili sono definiti spazi socializzati da Studio Azzurro ).

"Responsive media spaces augment the theatrical mise-en-scene, which is traditionally composed of setting, costume, lighting and staging, by computational technologies of performance .
These technologies include sensing , e.g. video motion tracking or sensors worn on the body , sound and video Which are generated in real time and average choreography software. The choreography media software is used to read and process the sensory input and to generate the response in form of real time video and sound "(Wolfgang Reitberger ).

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A museum has no reason to exist without a viewer (hence the development of visitor studies ).

"A museum is a portal for access to ideas and knowledge without the presence of exchange of properties, provides experiences and changes in customers who enjoy the its services, is a networking of skills, ideas, cognitive content. The
user is involved in the production of meanings and media materials (books and places of exposure) are only as structures on which to develop products and intangible values \u200b\u200bthat are born. "
( Gabriele Salvaterra )

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PUBLICATIONS

Here is a series of papers and articles related to the theme of ' natural interaction within the exhibition ..

Hornecker
Learning from Interactive Museum Installations About Interaction Design for Public Settings

Sparacino
scenographies of the Past and Museums of the Future: From the Wunderkammer to Body-Driven Interactive Narrative Spaces

Ciolfi
Visitors' Contributions As Cultural Heritage: Designing for Participation ( trad. eng)

Del Bimbo, Valli
Multi-User Natural Interaction System based on Real-Time Hand Tracking and Gesture Recognition

Natural Interfaces to Enhance Visitors' Experiences

Salvaterra
technology as a system intellectual communication for museums

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End User Interaction Design Framework



Here are some references to collection centers Interaction Design who is also active in the area of \u200b\u200bthe museum.

Interaction Design Centre (Limerick)

Sensing Places (Santa Monica, CA)

Natural Interaction (Florence)

Interaction Design Lab (Turin-Milan)

dotdotdot (Milan)

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For Wikipedia the picture can be seen both as a enclosed by a painted surface frame, both as a screen, film or television.
Leverage technologies that tend to 'invisibility (Disappearing Ubiquitous Computing and Technology) within the exhibition allows you to combine digital reproductions of painted surfaces and screens to encourage physical interaction between visitor and art work.

installations are emblematic Grid and Xray ( Tate Britain), which allow to decompose and reconstruct the paintings of Constable through touch and movement of arms.

Constable - Tate Britain from Chris O'Shea on Vimeo .

Wednesday, July 7, 2010

Blue Print Of A Boiler

Things, signals, writings, documents ..




If we consider a very simple form of video installation , ie a system composed of computer, projector and surface, which does not interaction with the user, we can identify at least one thing a signal, a write and document, based on a Tractatus Philosophicus materialis .


The thing is date computer hardware, from its physical interfaces, the projector and the display surface.
The first, in particular, contains the ' digital video image, or a data file, a list of numbers.


The data is transmitted through the video signal through a physical interface such as a cable to the projector, which emits a beam of light of different colors, intercepted by a screen, producing an image.


The writing is given by a set of signs able to tell something: in this case, because we treat non-permanent signs, moving images, the narrative occurs in the space of the frame or frame (colors, images that you can assign a meaning, letters and symbols) and time of the video sequence .


The document can be represented by the movie as a whole, in context with the titles and credits (credits).

Thursday, July 1, 2010

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