For Flavia Sparacino, application of the paradigm of 'staging Ubiquitous Computing leads to an interactive space museum choreographed in real time by the movements of visitors (for more details see the paper on a show curated by the researcher). These spaces
sono altrimenti chiamati responsive media spaces e dipendono dalla co-presenza delle persone (per questo gli ambienti sensibili sono definiti spazi socializzati da Studio Azzurro ).
"Responsive media spaces augment the theatrical mise-en-scene, which is traditionally composed of setting, costume, lighting and staging, by computational technologies of performance .
These technologies include sensing , e.g. video motion tracking or sensors worn on the body , sound and video Which are generated in real time and average choreography software. The choreography media software is used to read and process the sensory input and to generate the response in form of real time video and sound "(Wolfgang Reitberger ).
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